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MARTIN TRUEFITT-BAKER

Martin Truefitt-Baker is a printmaker and painter based in the Bannau Brycheiniog National Park in South Wales. Inspired by the surrounding landscape and wildlife, he creates striking reduction linocuts that capture the character and spirit of the natural world. In this interview, he reflects on his creative process, influences and printmaking journey.

Sarah Ransome holding one of her lino prints

Can You Introduce yourself?

I’m a fine art printmaker, painter and sometimes educator, living just outside Crickhowell, in the Bannau Brycheiniog National Park, South Wales. My paintings and linocut prints are mainly inspired by the beautiful surroundings and wildlife.​

I originally trained as an illustrator and book designer at UCW Aberystwyth and then became involved in education for 30+ years. It is only in the last ten years that I have returned to concentrating on producing my own work.

Describe your style of printmaking

My linocuts use a reduction method, mostly from just a single piece of lino. This is progressively cut away and overprinted onto paper several times, in a succession of tones, to build up the final image. The process means that there is no way back if you make a mistake. I usually make a maximum of six layers of printing in a design, after that I feel you lose the nice ‘graphic’ feel. Successive layers of printing need very careful registration, even then, sometimes half of the prints that I start out with, don’t make the final edition.

I’ve been experimenting with some mezzotint and collograph techniques recently, for a softer, more painterly effect.

 

How and when did you get started in printmaking?

I can’t remember any printmaking when I was in school. I don’t think I tried linocut printing, litho and intaglio, until I was in college. So I made sure I taught lino printmaking (along with many other arty things, from textiles to welding) as an Art teacher, in a secondary school, to 11 to 18 year olds. I still occasionally teach classes, when I’m not too busy, in schools and colleges. I’m a visiting tutor, to a couple of studios in California, later this year… exciting!

Where do you work?

I’m lucky that a previous owner of my cottage made a large single story extension, it makes a nice studio. I’ve just taken part in an open studio event and it’s great to have a lot of wall space.

 

Tell us about your typical day

My typical working day varies, it very much depends on which stage, of the current project, I’m at. If I’m not working on a particular design, I may be researching or walking (or both), looking for something that will spark an idea.

When I start developing a print idea that is heading to be an edition, I may work quite long hours, making the design as good as I can get it. This stage can takes around six weeks. Lots of revising and changing the composition and viewpoint. This is where the ‘poetry’ creeps in. I make an acrylic painted tonal version of the design in blue. This is my master image, that is reversed and transferred to the lino. Cutting and printing takes around three weeks and can be quite hectic… lots of cups of tea and too many biscuits… and the cats demanding food!

What inspires your work?

The wonderful local landscape, wildlife and the changing seasons have become increasingly important in my work. Images and inspiration often start out from an early morning walk over the hillside with paints, camera and sketch book. The light is at it’s best and the landscape is fresh. I may get a gimps of a fox running through the rain, or a cuckoo flying past where I’m painting, every day is different. So I try to catch some of the mystery of the way the animal moves and lives within its environment, as if you were there with it running or swimming alongside, rather than observing from a distance. The backgrounds are busy with the rough mountainsides, twisted trees, wild flowers, birds and insects.

I find my painted work and printmaking support and inform each other. I often start a design or painting in a particular place but then return to finish work back in the studio from sketches, notes and photographs taken at the time. I’m trying to capture the magic and spirit of the wildlife and landscape and my response to it, rather than a simple direct (maybe photographic) representation. I’ve always been inspired by that very British thing, where the landscape is full of possibilities and mystery. Blake, Palmer, Turner, Ravilious, Bawden, Nash, Sutherland and Piper are high on my favourites artists list.

Do you have a favourite print that you have made?

It is so difficult to pick a favourite print or prints. I get so involved in the process, that when I finish an edition I find it impossible to see past minor mistakes and missed opportunities, for quite a while. Then one day, several years later, I’ll look at a print and it feels like someone else made it, then I can see it objectively. So, at the moment, I think some of my earlier wildlife prints, the ones that were first noticed by publishers are my favourites. The Winter Fox, the Usk Otter and The Barn Owl Winter Branches

What is your greatest achievement?

My greatest art achievement is simply making and selling my handmade prints. It still knocks me out every time! I always do the ‘I’ve just sold a print’ dance (in private, I may add)… maybe not with quite as much energy (and dangerous moves) as I used to, but with lots of gratitude.

I tried to make a living as an illustrator when I first graduated, with limited success. I was living in London but quite naive about the art world. It was before the internet and agents were the gatekeepers to progression in many creative areas. To see that some of my designs have now been used as greetings cards, jigsaws, notebooks and calendars, is quite a thrill and a validation.

What are you working on at the moment?

I’ve just finished a large print of a red kite flying over Crickhowell bridge. It hasn’t been exhibited in many places yet but has been quite popular, it recently won the printmaking prize in the lovely Oriel Cric (Gallery) Open Exhibition.

I’m just sketching out a new design of a pair of ravens that have been nesting on some cliffs on the mountainside near to my studio.

Tell us an interesting fact about yourself.

My degree dissertation (I did a weird and quite academic kind of joint honours, with lots of Art History) was on Edward Bawden (look him up if you don’t recognise the name, he was a great friend and collaborator with Ravilious). He was then in his eighties and I was lucky enough to visit him for a weekend and talk to him about his work and watch him in his studio. I have cards, signed books and correspondence from him about his work. I just had to be a printmaker after that.

Do you have any top tips or advice for other printmakers?

Make work that inspires and is personal to you. It doesn’t have to be complicated. Technique is secondary to what you want to say. Everyone has something that makes them an interesting, beautiful, and individual; express it and enjoy it. Looking at a good work of art should be a surprise, looking at the world through someone else’s eyes!
Study the work of other artists and see the way they have turned their ideas and what they want to communicate into prints. Then work towards doing that for yourself, developing your own process, rather than simply copying elements of their work and style.

Where can we see more of your work?

I’m a featured artist at Oriel Cric (Crickhowell). Then I am involved in a few other exhibitions around the UK each year. I’ve just sent work to be a part of a big exhibition in the Rheged Centre in Penrith called ‘The Brilliance of Birds’, it runs from the 3rd July to the 4th October 2026.

Is there anything else you would like to tell us about?

I routinely post images of my work on SM and I’ve gradually built up a following (please, please, follow me!). Recently there has been a growing number of comments from people who don’t understand the process and have accused me of posting AI images! I try to (politely) point out their mistake and that there is a full blog post on my website about the design and printing of each edition, but this is a worrying development, for someone who makes a living from original handmade prints. I even had a comment posted back to me, as evidence of it being AI, an AI image, that that had been put together, partially using one of my linocuts!

As you can tell, no AI was involved in creating this rambling prose! (laugh emoji).

 

Website – https://www.truefitt-baker.co.uk/

Blog – https://www.truefitt-baker.co.uk/blog-1

Etsy – https://www.etsy.com/uk/shop/MartinTruefittBaker?ref=shop-header-name&listing_id=4454600662&from_page=listing

FB – https://www.facebook.com/martin.truefittbakerart

Instagram – https://www.instagram.com/truefittbakerart/

YouTube – https://www.youtube.com/@MartinTruefitt-Baker

Image Credits – Martin Truefitt-Baker

FEATURE YOUR ART!

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(+44) 01562 60787

Essdee – Educational Art and Craft Supplies Ltd

Frederick Road, Hoo Farm Industrial Estate

Kidderminster, DY11 7RA

global.monkey.brave

Copyright Educational Art and Craft Supplies Ltd 2023 | Website Design by Nettl of Kidderminster

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Educational Art and Craft Supplies Ltd Privacy Policy  Introduction Educational Art and Craft Supplies Ltd (also known by our brand name Essdee) are a manufacturer of art and craft material, and offer a range of Scraperboard, etching tools, block printing tools and materials.  We are committed to protecting and respecting your privacy. Everyone has rights with regard to the way in which their personal information is handled.  During the course of our activities we will collect, store and process personal information about our customers, suppliers and other third parties, and we recognise that the correct and lawful treatment of this data will maintain confidence in the organisation and will provide for successful business operation. This policy sets out the basis on which any personal information we collect from you, or that you provide to us, will be processed by us.  Please read the following carefully to understand our views and practices regarding your personal data and how we will treat it. Becoming a customer or your provision of any information to us constitutes your acknowledgement of the terms of this privacy policy.  Please do not send us any of your information if you do not want it to be used in the ways described in this privacy notice. It is important that the personal data we hold about you is accurate and current.  Please keep us informed if your personal data changes during your relationship with us. You have the right to make a complaint at any time to the Information Commissioner’s Office (ICO), which is the UK supervisory authority for data protection issues.  We would however appreciate the chance to deal with your concerns before you approach the ICO, so please contact us in the first instance. For the purpose of UK data protection laws, the data controller is Educational Art and Craft Supplies Ltd of Frederick Road, Hoo Farm Industrial Estate, Kidderminster, Worcestershire, DY11 7RA. We can be contacted on 01562 60787 and info@essdee.co.uk. The data we collect about you ‘Personal Data’ is any information about an individual from which that person can be identified. It does not include anonymised data where identifying characteristics have been removed. We may collect, use, store and transfer different kinds of personal data about you which we have grouped together follows:
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However, when we use third party service providers, we disclose only the personal information that is necessary to deliver the service and we have a contract in place that requires them to keep your information secure and not to use it for their own direct marketing purposes. Please be reassured that we will not release your information to third parties beyond the company for them to use for their own direct marketing purposes, unless you have requested us to do so, or we are required to do so by law, for example, by a court order or for the purposes of prevention of fraud or other crime. Transferring data outside of the EEA We do not currently transfer your data outside of the EEA, except in the case of our use of a marketing automation platform (currently Mailchimp) which we use to transmit emails on our behalf.  As part of our commitment to protecting your data we strive at all times to ensure that full and GDPR-compliant arrangements between Educational Arts and Craft Supplies Ltd and our chosen automation platform provider are in place. Data Security We strive to maintain appropriate security measures to prevent your personal data from being accidentally lost, used or accessed in an unauthorised way, altered or disclosed. In addition, we limit access to your personal data to those employees, agents, contractors and other third parties who have a business need to know. They will only process your personal data on our instructions and they are subject to a duty of confidentiality. Ways in which data is protected include having in place a Data Protection Policy, adhering to Data Retention Protocols, restricting access to data to only those staff who need to access it as part of their duties, using password protection, applying firewall protection and encryption technology, using disposing of paper documents containing personal data by shredding, using lockable filing cabinets and training staff in the importance of data security. We have put in place procedures to deal with any suspected personal data breach and will notify you and the ICO of a breach where we are legally required to do so. Unfortunately, the transmission of information via the internet is not completely secure.  Although we will do our best to protect your personal information, we cannot guarantee the security of your data transmitted to our website; any transmission is at your own risk.  Once we have received your information, we will use strict procedures and security features to try to prevent unauthorised access. Data Retention We will only retain your personal data for as long as necessary to fulfil the purposes we collected it for, including for the purposes of satisfying any legal, accounting, or reporting requirements. The length of time that we will store your data will depend on the ‘legal basis’ for why we are using the data, as follows:
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To determine the appropriate retention period for personal information, we consider the amount, nature and sensitive personal information, the potential of harm from unauthorized use or disclosure of your personal information, the purposes for which we process your personal information and whether we can achieve those purposes through other means, and the applicable legal requirements. In some circumstances you can ask us to delete your data.  This is explained in the section about your legal rights below. In some circumstances we may anonymise your personal data (so that it can no longer be associated with you) for research or statistical purposes.  In this case we may use this information indefinitely without further notice to you. Your Legal Rights Under certain circumstances, you have rights under data protection laws in relation to your personal data.  If you wish to exercise any of the rights set out below you should contact us. You will not have to pay a fee to access your personal data (or to exercise any of the other rights). However, we may charge a reasonable fee if your request is clearly unfounded, repetitive or excessive. Alternatively, we may refuse to comply with your request in these circumstances. We may need to request specific information from you to help us to confirm your identity and to ensure your right to access your personal data (or to exercise any of your other rights). This is a security measure to ensure that personal data is not disclosed to any person who has no right to receive it. We may also contact you to ask you for further information in relation to your request to speed up our response. We will endeavour to respond to all legitimate requests within one month. Occasionally it may take us longer than a month if your request is particularly complex or you have made a number of requests. In this case, we will notify you and keep you updated. You have a right to:
  • Request access to your personal data (commonly known as a “data subject access request”). This enables you to receive a copy of the personal data we hold about you and to check that we are lawfully processing it.
  • Request correction of the personal data that we hold about you. This enables you to have any incomplete or inaccurate data we hold about you corrected, though we may need to verify the accuracy of the new data you provide to us.
  • Request erasure of your personal data. This enables you to ask us to delete or remove personal data where there is no good reason for us continuing to process it. You also have the right to ask us to delete or remove your personal data where you have successfully exercised your right to object to processing (see below), where we may have processed your information unlawfully or where we are required to erase your personal data to comply with local law. Note, however, that we may not always be able to comply with your request of erasure for specific legal reasons which will be notified to you, if applicable, at the time of your request.
  • Object to processing of your personal data where we are relying on a legitimate interest (or those of a third party) and there is something about your particular situation which makes you want to object to processing on this ground as you feel it impacts on your fundamental rights and freedoms. You also have the right to object where we are processing your personal data for direct marketing purposes. In some cases, we may demonstrate that we have compelling legitimate grounds to process your information which override your rights and freedoms.
  • Request restriction of processing of your personal data. This enables you to ask us to suspend the processing of your personal data in the following scenarios: (a) if you want us to establish the data’s accuracy; (b) where our use of the data is unlawful but you do not want us to erase it; (c) where you need us to hold the data even if we no longer require it as you need it to establish, exercise or defend legal claims; or (d) you have objected to our use of your data but we need to verify whether we have overriding legitimate grounds to use it.
  • Request the transfer of your personal data to you or to a third party. We will provide to you, or a third party you have chosen, your personal data in a structured, commonly used, machine-readable format. Note that this right only applies to automated information which you initially provided consent for us to use or where we used the information to perform a contract with you.
  • Withdraw consent at any time where we are relying on consent to process your personal data. However, this will not affect the lawfulness of any processing carried out before you withdraw your consent. If you withdraw your consent, we may not be able to provide certain products to you. We will advise you if this is the case at the time you withdraw your consent. 
Updated March 2021
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